AHMAD JAMAL - JAZZ
The Chevalier de Saint-George: Violinist Lionel de La Laurencie; Frederick H. Martens, The Musical Quarterly, Vol. 5, No. 1. (Jan., 1919), pp. 74-85. (PDF)
Dean Dixon -- Biography of a Black American Conductor
Ignatius Sancho (1729-1780), African Composer in England, Josephine Wright , The Black Perspective in Music, Vol. 7, No. 2. (Autumn, 1979), pp. 132-167.
Negro Spirituals by Thomas W. Higginson
Trux, J. J. : Negro Minstrelsy -- Ancient and Modern January 1855
Billie Holliday by Charles Edward Smith
New York Turns On the Heat by Wilder Hobson -- Early Jazz
Bercovici, Konrad The Rhythm of Harlem (Survey Graphic, Mar 1925)
Armstrong, Mary Frances Morgan, d. 1903 Hampton & its students. With fifty cabin & plantation songs, arranged by Thomas F. Fenner. 1874
Negro Spirituals
by Anonymous. Stedman, Edmund Clarence, ed. 1900. An American Anthology,
1787-1900
...For de last soul s converted. In dat great gittin -up Mornin , 10 Fare you
well, Fare you well. De Lord spoke to Gabriel: Say, go look behind de altar,
Take down...
. American Ballads. XXVII. Oral
Literature. Vol. 18. Later National Literature, Part III. The Cambridge History
of English and American Literature: An Encyclopedia in Eighteen Volumes. 1907–21
...So do wandering concert troups and minor singers of many types. The once
popular negro minstrels helped to universalize many pseudo-negro songs, and
real negro singers,...
Negro Songs from Barbados, Charles P. Bowditch, The Folk-Lore Journal, Vol. 5, No. 2. (1887), pp. 130-133. (PDF)
Folk-Songs of the Civil War, Alfred M. Williams, The Journal of American Folklore, Vol. 5, No. 19. (Oct. - Dec., 1892), pp. 265-283. (PDF)
Clarence Cameron White; Clarence A. Bacote, The Journal of Negro History, Vol. 21, No. 2. (Apr., 1936), pp. 228-244. (PDF)
Persons and Places: Dizzy Gillespie in Atlanta, L. D. Reddick, Phylon (1940-1956), Vol. 10, No. 1. (1st Qtr., 1949), pp. 44-49. (PDF)
Negro Musicians and Their Music, Lucy Harth Smith, The Journal of Negro History, Vol. 20, No. 4. (Oct., 1935), pp. 428-432. (PDF)
Thomas Greene Bethune (1849-1908) ,
Blind Tom as He Is Today (1898)
John A'Becket, The Black Perspective in Music, Vol. 4, No. 2, Bicentennial Number.
(Jul., 1976), pp. 184-188. (PDF)
Negro Customs and Folk-Stories of Jamaica, Ada Wilson Trowbridge, The Journal of American Folklore, Vol. 9, No. 35. (Oct. - Dec., 1896), pp. 279-287. (PDF)
Race Values in Aframerican Music, Paul Fritz Laubenstein, The Musical Quarterly, Vol. 16, No. 3. (Jul., 1930), pp. 378-403. (PDF)
Afro American Folksongs A Study In Racial And National Music, Henry Edward Krehbiel ,G.Schirmer, 1914
The Study of African and Afro-American Music J. H. Kwabena Nketia , The Black Perspective in Music, Vol. 1, No. 1. (Spring, 1973), pp. 7-15. (PDF)
Jazz Improvisation: The Joy of Influence; John P. Murphy; The Black Perspective in Music, Vol. 18, No. 1/2. (1990), pp. 7-19. (PDF)
The Significance of the Relationship between Afro-American Music and West African Music; Olly Wilson; The Black Perspective in Music, Vol. 2, No. 1. (Spring, 1974), pp. 3-22. (PDF)
The Cult of the DJ: A Symposium; Andrew Ross; Frank Owen; Moby; Frankie Knuckles; Carol Cooper; Social Text, No. 43. (Autumn, 1995), pp. 67-88. (PDF)
A Short Bibliography of Jazz; Alan P. Merriam; Notes, 2nd Ser., Vol. 10, No. 2. (Mar., 1953), pp. 202-210. (PDF)
Hard Bop and Its Critics; David H. Rosenthal; The Black Perspective in Music, Vol. 16, No. 1. (Spring, 1988), pp. 21-29. (PDF)
Negro Musicians and Their Music-- Lucy Harth Smith -- The Journal of Negro History, Vol. 20, No. 4. (Oct., 1935), pp. 428-432. (PDF)
Music Education in Negro Schools and Colleges --Edgar Rogie Clark --The Journal of Negro Education, Vol. 9, No. 4. (Oct., 1940), pp. 580-590. (PDF)
Black Music and Cultural Nationalism: The Maturation of Archie Shepp-- Daniel Walden-- Negro American Literature Forum, Vol. 5, No. 4. (Winter, 1971), pp. 150-154. (PDF)
Persons and Places: Dizzy Gillespie in Atlanta, L. D. Reddick, Phylon (1940-1956), Vol. 10, No. 1. (1st Qtr., 1949), pp. 44-49. (PDF)
Part 3. Modes of Listening , Music in the Streets: The Example of Washington Square Park in New York City, Paolo Prato, Popular Music, Vol. 4, Performers and Audiences. (1984), pp. 151-163.(PDF)
Synesthesia, "Crossover," and Blacks in Popular Music, Phillip Brian Harper, Social Text, No. 23. (Autumn - Winter, 1989), pp. 102-121.(PDF)